Product Description

Studio: Uni Dist Corp. (summit) Release Date: 01/12/2010 Run time: 131 minutes Rating: R

Product Details

• Amazon Sales Rank: #1014 in DVD
• Brand: UNI DIST CORP. (SUMMIT)
• Released on: 2010-01-12
• Rating: R (Restricted)
• Aspect ratio: 1.78:1
• Number of discs: 1
• Formats: AC-3, Color, Dolby, DTS Surround Sound, Dubbed, Subtitled, Widescreen
• Original language: English, Spanish
• Subtitled in: English, Spanish
• Running time: 130 minutes

Amazon.com
The making of honest action movies has become so rare that Kathryn Bigelow's magnificent The Hurt Locker was shown mostly in art cinemas rather than multiplexes. That's fine; the picture is a work of art. But it also delivers more kinetic excitement, more breath-bating suspense, more putting-you-right-there in the danger zone than all the brain-dead, visually incoherent wrecking derbies hogging mall screens. Partly it's a matter of subject. The movie focuses on an Explosive Ordnance Disposal team, the guys whose more or less daily job is to disarm the homemade bombs that have accounted for most U.S. casualties in Iraq. But even more, the film's extraordinary tension derives from the precision and intelligence of Bigelow's direction. She gets every sweaty detail and tactical nuance in the close-up confrontation of man and bomb, while keeping us alert to the volatile wraparound reality of an ineluctably foreign environment--hot streets and blank-walled buildings full of onlookers, some merely curious and some hostile, perhaps thumbing a cellphone that could become a trigger. This is exemplary moviemaking. You don't need CGI, just a human eye, and the imagination to realize that, say, the sight of dust and scale popped off a derelict car by an explosion half a block away delivers more shock value than a pixelated fireball.

The setting may be Iraq in 2004, but it could just as well be Thermopylae; The Hurt Locker is no "Iraq War movie." Bigelow and screenwriter Mark Boal--who did time as a journalist embed with an EOD unit--align themselves with neither supporters nor opponents of the U.S. involvement. There's no politics here. War is just the job the characters in the movie do. One in particular, the supremely resourceful staff sergeant played by Jeremy Renner, is addicted to the almost nonstop adrenaline rush and the opportunity to express his esoteric, life-on-the-edge genius. The hurt locker of the title is a box he keeps under his bunk, filled with bomb parts and other signatory memorabilia of "things that could have killed me." That none of it has killed him so far is no real consolation. In this movie, you never know who's going to go and when; even high-profile talent (we won't name names here) is no guarantee. But one thing can be guaranteed, and that is that almost every sequence in the movie becomes a riveting, often fiercely enigmatic set piece. This is Kathryn Bigelow's best film since 1987's Near Dark. It could also be the best film of 2009. --Richard T. Jameson

Customer Reviews

An Iraq War Veteran's Perspective
Had I not served in Iraq in 2004, perhaps I could have maintained a suspension of disbelief and enjoyed the film. However, it is extremely irritating to have the producers of this film and high-level movie critics gush about an "accurate depiction of war" when it is about as close as 2001: A Space Odyssey is to an accurate depiction of NASA. The writer claimed he spent "some time" embedded with an EOD unit, but I can't imagine his time amounted to too much more than a week.

Let's start with some glaring discrepencies. In the film, all soldiers seen are wearing uniforms known as ACUs, which feature the digital camouflage pattern. In 2004, those uniforms had not yet been fully developed or issued. Soldiers wore the DCUs, which feature tan and brown woodland-style camouflage patterns. ACUs were being field-tested with select units, but the prototypes still retained the traditional camo. At that time, only the Marines were wearing uniforms with digital patterns, though their uniforms feature different color patterns and different cuts. Additionally, every soldier wears an American flag patch on the right shoulder. These were conspicuously absent throughout.

The presentation of humvees and other military vehicles add a further level of unreality. Military vehicles typically have unit and vehicle identifations stenciled on bumpers, doors, or hoods. The names of principle occupants are usually stenciled on each side of the windshield. The dashboard and area between the front seats is packed full of radio equipment. There are generally MREs and misc. mission oriented debris lying around the interior. Not much of this was evident. What was evident was the utterly and completely absurd medivac scene that featured HUEY helicopters. Yes, those same Hueys that saw a great deal of service during the Vietnam War, but have long been replaced by the ubiquitous Blackhawk.

The ridiculous misrepresentation, misuse, and absence of military equipment continues on down to things like night optical devices (NODs). NODs are those things soldiers strap to their helmets and flip down over their eyes to see in the dark. All throughout the movie, the three main characters are shown to have the NOD mounting plates attached to their helmets. Yet, when they tear off on a hunt for bad guys during a night mission they run around shining flashlights, which is tactically one of the dumbest things a soldier could do.

Running around with flashlights at night is but one example of things real soldiers would not do. They would not split up "to cover more ground." An enlisted soldier would not call a colonel "colonel." He would call the colonel "sir." A soldier would not sneak out of base disguised as a civilian, hijack an Iraqi's car at gunpoint, confront an Iraqi family, then weasel his way back on base with the lame excuse he'd been to whorehouse. There would have been serious consequences to his actions. The film gives the impression that the three EOD soldiers are gun totin' cowboys who answer to no one. In reality, there would be commanding officer who would, at the least, issue operation orders and hold the NCOs to a certain level of accountability.

The characters themselves are fairly unbelievabe. They don't talk like real soldiers. I didn't hear "hooah" uttered once. Nor did I hear much of the plethora of abbreviations and acronyms that comprises the military jargon spoken by soldiers. While SSG James' two sidekicks are cardboard cut-outs of Hollywood military cliches, James himself is an erratic, irresponsible, borderline-psychopath who would not last long in the leadership of men or the diffusement of bombs. His obsession/concern for the Iraqi boy he has unrealistically befriended is completely out of character.

I could go on and on, but you get the idea. On the plus side, the landscape does look like Iraq, and the urban shots replicate the appearance of Baghdad quite well. The acting is adequate, I suppose, but I was not particularly enthusiastic about any specific performance. Quite frankly, it amazes me that they would make a film this sloppy and inaccurate, when correct information is so readily available. As it is, this is not a realistic war movie; it is a fantasy with nearly as much imagination as Avatar.

On a closing note, if you want to see an excellent film that provides an accurate view of the Iraq War in 2004, check out "The War Tapes." It's a documentary shot by soldiers themselves, and provides honest insight into the impact of war's daily grind.

Taut war drama exploring the psychology of soldiering
The movie opens with the quote - "the rush of battle is often a potent and lethal addiction, for war is a drug" (a modern paraphrase of Churchill's older and more famous maxim - "there is nothing more exhilarating than to be shot at without result")

This is a thriller of a movie about a U.S. Army bomb disposal unit in Iraq and their daily grind in dealing with the IEDs and insurgents there.

This movie does have several stars - but Ralph Fiennes, Guy Pierce, and Evangeline Lilly all have fairly small roles. Blink, and you'll miss them. Their presence in this movie is more a testament to director/producer Kathryn Bigelow's status in the entertainment industry than anything else.

Jeremy Renner is Sergeant James, a bomb tech. Unlike his affable predecessor, he is a wild man. He seems not only indifferent to the dangers of his job, he absolutely revels in the dangers. It is the ultimate in thrill seeking behavior, getting that dopamine surge in his brain. Near the end of the movie, Sgt. James gets accused of being an adrenaline junkie, but we know now that the neurochemical at work here is dopamine. Bomb disposal is not just a job for him, but his passion, his addiction, his reason for being in the Army.

Renner's character ends up like a cross between Elmer Fudd, with his perpetually placid and slightly befuddled gaze, and Bugs Bunny, with his wile and lust for excitement and danger.

His two partners in the unit, Sgt. Sanborn and Specialist Eldridge, who have to cover him and just want to survive their tour of duty, don't know quite how to deal with his determination to confront danger. One wonders at why Sgt. James puts himself in danger, why he takes the extra risks to defuse a bomb when detonating it would do. The scene that explains it all is when Sgt. James returns home to America one day and we see him doing the mundane chores of life as a civilian, cleaning out the rain gutters, cleaning up the kitchen, shopping with his wife and baby at the grocery store. As he stares at an entire wall full of colorful cereal boxes stacked along a grocery store aisle, a look of utter blankness, boredom, and despair fills his face.....nope, not for him, this dull life as a civilian....

The movie's storyline is a series of daily missions, almost like a documentary or a TV series, each episode standing alone and yet building upon previous episodes, each one presenting a new danger, a new challenge, another piece of the puzzle that is the war in Iraq.

What makes this movie work is the recreation of Iraq in this movie - it was filmed in Jordan with local Iraqi expatriates. We feel the oppressive tension of the whole country, of not knowing who the bad guys are and where the next bomb or bullet is going to come from. We feel the fear and uncertainty of the American soldiers, caught between their desire to be the good guys and wanting to make nice with the local Iraqis, while constantly needing to remain vigilant and suspicious, never knowing who is a good Iraqi, and who deserves to get shot. We feel the bewilderment and resentment of the local Iraqis, who get pushed around at every turn by the American soldiers.

Unlike so many other recent Iraq war movies, this movie makes no political statements, there is no right or wrong here. These are just men at work, doing a dangerous and dirty job, and these guys are darn good at what they do for their country, whatever the reasons are that they are doing it.

'Bout time........
As a retired Army Bomb Disposal Team Leader I have to say it's right up there with 'Danger UXB' and A+++++to the writer and the director!!! A really well done depiction without the usual Hollywood hype/litery license/theater/BS.
Oh, yea, about 'not being able to adjust after the regimented life', it has nothing to do with 'not being able to' and everything to do with 'not wanting to'. You'll enjoy the view into the lives of this very small brotherhood of military Bomb Disposers.